AFROKLECTIC

Moved

2011-11-19T00:07:00.000+11:00

Afroklectic is now live at Afroklectic.com.

If you are searching for old posts going way back, please stick to this site as we are currently trying to move everything over. A task which will take at least 2-3 months.

We hope you enjoy the newly designed space with the existing blog space as well as a fortnightly discussion space, calendar for upcoming events in the African-Australian community, African proverbs of the month, contributors and much more.

Skate

2011-11-11T12:32:00.003+11:00

I have always wanted to rollerskate for some reason. But having a Mum like the one I have who acted like I would die on skates, prevented me from ever getting a pair when I was young. I always say to myself that I am just going buy a pair and start learning, but I never do. After watching the video below, my goal is by this time next year, I will be skating, so I can go to Ghana and join these guys from the Unity Skate Club in Labadi Town, Accra (Ghana).

SOURCE: KoKOFIFI

Fashion gone wild

2011-11-05T22:45:00.004+11:00

Vogue Australia goes to Africa for the launch of their new iPad app and December 2011 'Fashion Gone Wild' issue. The Vogue Australia team travelled to Botswana to shoot a range of material, which includes video footage, sound bites, fashion shoots photographed by Max Doyle, interviews with covergirl Australian actor Isabel Lucas and interviews with the Vogue editors.

Inspired by the tribal motifs in the recent international resort collections, fashion director Naomi Smith wanted to capture the true heart of Africa.

- VOGUE

The footage from the trip has been compiled into unique bundle which is now available on the new Vogue Australia iPad app now available for free download. The app was designed in partnership with with Belvedere Vodka, who are raising awareness for The Global Fund. An initiative it supports to help fight AIDS in Africa.

The material is great and the spreads are fabulous. I really like the cover, but as a whole, I am not totally feeling it. The concept seems a bit redundant to me. Like I have seen this kind of concept over and over again to the point that it's lost it's meaning and visual appeal for me.

I am going to buy the December issue and have a good read of it. Maybe my opinion will change! I highly doubt it though.

SOURCE: VOGUE AUSTRALIA, VOGUE AUSTRALIA TUMBLR, STYLE PANTRY, FASHION GONE ROGUE, ORACLE FOX

Delicate Shades

2011-11-02T10:53:00.000+11:00

Once again, Vlisco has given us something fresh to drool over! For their new collection 'Delicate Shades', they have collaborated with fashion illustrator Sabine Peiper.

The illustrations are beautifully detailed and capture the essence of the collection!

Vlisco has done a great job presenting their new collection in a fresh new light!

Delicate Shades fabric collection, design plays a starring role, even more so than usual. Vlisco has reviewed its own craftsmanship, rediscovering its uniqueness and creativity, and experiencing its drawing technique in a completely different light. This technique makes it possible to create two designs in one, uncovering a double layer with a subtle transparency effect. A number of designs take on a different appearance when viewed from the left or right, resulting in infinite ways to wear it. A range of bold blue shades and overpowering earthy tones are highlighted by bright accents of yellow and pink. The colourful graphic designs play with your mind, transforming into three-dimensional illustrations with outlined shadows, as the elusive waves of colour appear to set the illustrated woman into motion, seemingly revived in your imagination. Explore your own creativity and enjoy the ultimate Vlisco designs as part of the Delicate Shades fashion & accessories collection, now available in Vlisco Boutiques.

- VLISCO

"I was inspired by the Vlisco fabrics themselves, with all their wonderful colours and different patterns. I tried to create images to ‘fit’ the shapes of the dresses and match the particular fabrics. For example, I repeated the dress forms, the outlines or the shapes within the patterns themselves, the black lines, and the coloured stripes that are repeated in the fabrics of Delicate Shades".

- SABINE PEIPER

SOURCE: FANCYHUB & CIAAFRIQUE

revamp update

2011-10-31T23:09:00.001+11:00

Just letting you know that Afroklectic.com will be up and running shortly (hopefully). Just putting the finishing touches together and trying to make the transition from blogspot to the new space as smooth as possible!!!

black volta

2011-10-27T14:00:00.006+11:00

With the likes of Adrien Sauvage and Ozwald Boateng around, I think now it is the perfect time to be a guy!!!

The collection by 2011 Spring/Summer collection Black Volta by Adrien Sauvage has had me drooling for a while. A very sophisticated collection presenting the modern gentlemen aware of his heritage.

Black Volta was inspired by a trip Sauvage made to Ghana after an 11-year absence. In an interview with DazedDigital, he states that he wanted the collection's 'DNA to have an honest heritage'. A reflection of his background as an African raised in the UK. The result, is a stylish fusion of European influences with traditional Kente cloth.

Sauvage takes an interesting visual approach the lookbook by photographing family, friends and strangers in his pieces. 'Capturing a carefree spirit and assertive independence of Ghanaian society building on the core principle of perfecting cut, as well as examining the construction of identity.

- A. SUAVAGE JOURNAL

To compliment Black Volta, Sauvage directed a short film titled 'This is Not a Suit'. 'An instructional guide to the art of dressing which explores the creative quandaries of the mind'.

To fully grasp the basis of the collection, you and I would have had to be at the launch of the film. Or what would have been amazing is if Sauvage documented his experience in Ghana along with his his visualization and production process for the collection as a video, then we would have a better understanding of all the visual elements coming together.
The collection is heavy. It's the reconnection of roots and a reconnection of tailoring basics.
I think articles and press releases don't carry the weight of this collection properly.
I feel as if there is so much more to it!!!

SOURCE: ADRIEN SUAVAGE, STYLE SALVAGE, DAZED DIGITAL & APE TO GENTLEMAN

Afro-creative: Adjoa Opoku

2011-10-25T11:00:00.002+11:00

ADJOA OPOKU / GRAPHIC DESIGNER / BFA FROM SYRACUSE UNIVERSITY / NOW A GRAD STUDENT AT THE SCHOOL OF VISUAL ARTS / SEES DESIGN AS A POWERFUL TOOL OF COMMUNICATION & SELF EXPRESSION

SOURCE: ADJOA OPOKU

Winning Day

2011-10-24T21:34:00.002+11:00

I have been obsessed with the Sass & Bide Spring/Summer 2012 Collection 'Winning Day'. Sass & Bide identifies the collection as 'a collective fusion of influences, being sport, the Eastern world, Kandinsky and a play on opposition and scale. And referenced elements of traditional Japanese dressing'.

I have been very drawn to certain pieces in the collection; The Mr Moustache Skirt, The Travellers Muse Jacket, The Destination Dress, and the Artists Soul Pants. The reason why I have been drawn, is because they remind me of Kente cloth. The linear pattern and bright colours used for the pieces are similar elements for what is used for Kente. I bet you could go to an African party with one of these pieces and someone would actually think you are wearing Kente as an Ankara print!

The pieces can be purchased at Sass&Bide.com

SOURCE: SASS & BIDE

SBS: African - Young People's stories

2011-10-23T23:29:00.001+11:00

I mentioned about three weeks ago how I got the opportunity to talk by experience as an African-Australian at National Conference for International Year of People of African Descent (IYFPOAD) along with 4 others - Effie Nkrumah, Helen Keteku, Sylvia Fobi and Nick Mbogua.

We were each given 5 minutes and in that time I spoke about my experience growing up, people forgetting that we go through an identity battle, being a creative studying at a tertiary level, starting Afroklectic, my experience in the UK and The Afroklectic Project with a snippet of the introduction video. I hope I am given the opportunity at a later date to discuss the full details of my experience and practice.

The talk has been posted on SBS: African - Young People's Stories.

PETROU/MAN SS 2012

2011-10-22T23:54:00.001+11:00

I was liking the PETROUMAN Spring/Summer 2012 collection I posted about a sneak peak of the collection in School Boy (01/09/2011). After seeing the complete collection, I now think it is an odd mix of the scrub uniform with the tailored suit and the explorer crisp khaki look with a sprinkle of ivy 'preppyness' (Yes, I just made that word up! But you get the drift). Quite experimental, somehow it works, but doesn't at the same time. I am a bit unsure about the whole collection, but the more I look at it, the more it grows on me.

SOURCE: PETROU/MAN

Expansion

2011-10-21T01:20:00.000+11:00

As part of the Afroklectic revamp from blog to creative hub, new mediums have been added. Afroklectic is now on Tumblr and Vimeo. A YouTube channel is also on the cards.

The Tumblr will serve as a visual library and audio library. Bits and pieces which inspire the concept of Afroklectic. The Vimeo channel will host all our video projects and collaborations.

If you are on either mediums follow us so we too can follow you and be inspired!!!

In my Possession

2011-10-19T12:17:00.000+11:00

The New African Fashion book by Helen Jennings is now in my possession. Like most of the other books I have purchased this year, this book will go into the 'To read when I finish Major Project' which is in about 1 month time! I have glimpsed through and I am in LOVE with the layout and photography!!!

Fashion. Thought. Revolution

2011-10-18T11:56:00.001+11:00

I have been seeing the cover of Issue #4 of the Pigeon and Peacocks magazine for a while now. When I first saw it I thought 'WOW. I will never get my hands on that magazine in Sydney'. So I got over it.

I walked into a random newsagency last week when I was on was on the hunt for lunch around Uni and I found the magazine. In a heartbeat I picked it up and walked over the counter. The nice old lady said to me 'Oh I didn't know where to put that magazine. It's very different to all the other magazines. Do you think I put it in a good spot?' I said 'Well I found it. So it seems to be in a good spot!'.

I walked out quite proud of my purchase but then something dawned on me. Why did she say that the magazine was different? Was it the fact that there were black people on the cover?

I flicked through the magazine to figure out what the lady was talking about. To me, the visual content looked similar to i-D, Wonderland or Frankie magazine. Magazines which are all stocked at this newsagency, so I couldn't understand why she thought Pigeon and Peacocks was 'different'?

My thoughts reminded me of a talk by Dr. Virgina Mapendzahama (University of Sydney, NSW, Australia) and Prof. Kwamena Ansah-Aidoo (Swinburne University, VIC, Australia) titled The Burden of Blackness: The White gaze, everyday racism and the black African experience in Australia (Listen). I heard at the National Conference IYFPOAD last month. One example made was when a black person goes to a shop and the salesperson is rude to them for no apparent reason and then the person leaves thinking 'Why was that person so rude to me? Is it because I am black?'

I generally don't have those kind of thoughts, but after I left the newsagency I started to think like that!

Besides that, the magazine's main feature for Issue #4 is 'Black Sploitation? Opening the debate' is great. The feature comprises of a series of articles covering African fashion and art accompanied by an electric spread titled Babes of Benin. An interesting read!

Witnessed

2011-10-17T12:34:00.000+11:00

When I went to London on exchange, one of my house mates was German and a mixed-race guy was interested in her. Initially she didn't know how to deal with the situation. We all though what is wrong with this girl, Boy likes you, Girl likes boy, simple! She thought of it slightly differently. He was black. It wasn't that she had anything again people, she just didn't know how to relate to black people. She admitted that never really interacted with black people before. She grew up in an area where there weren't any black people. Now I kind of understood where she was coming from but I didn't at the same time. I became quite curious about the experiences of black people in Germany.

Witnessed is now feeding my curiosity. Witnessed is a book series written by black authors, who live or have lived in Germany. This engaging concept was created by Sharon Dodua Otoo, who realised that people outside of Germany don't know about the experiences of black people in Germany. She writes "It is also incredible how little voice Black people within Germany have, despite decades of activism, academic research, creative publications and performances. So I thought - fine! If we don't find recognition within Germany, we surely can on an international stage".

SOURCE: AFRO-EUROPE

African Barbies

2011-10-13T21:55:00.001+11:00

I found these adorable images of African Babies on Tumblr. I just had to share!

Nigerian Babie

Kenyan Barbie

Ghanaian Barbie

Moroccan Barbie

African Goddess

SOURCE: RAW LIKE SUSHI

no one knows tomorrow

2011-10-10T12:00:00.003+11:00

Africa's tree lady

2011-10-08T09:00:00.000+11:00

"We’re constantly being bombarded by problems that we face and sometimes we can get completely overwhelmed. [But] we should always feel like a hummingbird. I may feel insignificant, but I don’t want to be like the other animals watching the planet go down the drain. I’ll be a hummingbird, I’ll do the best I can."

- WANGARI MAATHAI (1940 - 2011)

Founder of the Green Belt Movement. Environmental & political activist.

The first African woman to win the Nobel peace prize. A visionary.

Africa's tree lady.

May her soul rest in peace.

_____________________________________________________

Wangari Maathai will be remembered as a committed champion of the environment, sustainable development, women’s rights, and democracy.

Her energy and life-long dedication to improve the lives and livelihoods of people will continue to inspire generations of young people around the world.

- KOFI ANNAN (FORMER SECRETARY OF THE UN, NOBEL PEACE PRIZE LAUREATE, 2001)

the Vickie Remoe show

2011-10-07T16:39:00.001+11:00

I found this video on my Tumblr roll a month ago or so and I was intrigued by this lady. I don't remember what Tumblr, but you can check it out at This is Africa). Her name is Vickie Remoe. She was born Sierra Leone, Remoe fled her homeland to the US with her family in 1994 during the civil war. With a political science major under her belt, returned to Sierra Leone in 2007 to help rebuild her country. She started a blog prior to her return as a platform to share photos from a 2005 Centre for Peace and Global Citizenship sponsored trop to Sierra Leone. The blog turned into a hub for conversation for Sierra Leoneans abroad, and from that streamed the Vickie Remoe Show. A lifestyle program covering everything from fashion, the arts, entertainment and politics in Sierra Leone and other parts of Africa.

“The show for me was a way to kind of break into Sierra Leonean society because after a year of being here I still felt like I was [not] inside, like I was on holiday somewhere and not really integrating into the society,” Remoe said. “So I wanted to do something that would bring me closer to every day Sierra Leoneans who were not my family members.”

- VICKIE REMOE

I have seen a few snippets of the show and I think the show is a fresh conversation for the country.

As of August 2011, Vickie moved back to the US and details her experience in the video below.
"This is a personal video reflection on some issues from the time I spent in Sierra Leone. My thoughts range from daily frustrations, relationships with men and women, lack of opportunities for the youth, the expatriate and Lebanese communities, dating, NGOs, entrepreneurship and more. For all those of you thinking of moving back to Sierra Leone here are some things you need to know before you go".

- VICKIE REMOE

I admire Vickie in so many ways. The experience of going back home to do something different is something I aspire to. Although, I am not from Sierra Leone, I feel what Vickie is saying. Even though she praises Ghana, some of the issues she discusses in the video are the same as Ghana.

I made a promise to myself this year that I wouldn't go to Ghana for another four years or so. I was so disappointed with the country when I went back this year, that I couldn't bare going anytime soon, because I was scared it would just be worse. The Ghana I went to this year, didn't feel like the progressive Ghana I left two years ago. It felt as if the country had taken a step back.
I even left Ghana early than planned because I was that frustrated with the whole situation.

However, after watching this video about 10 billion times, my mind has shifted - only slightly. I am considering moving to Ghana for a year or two in the next four years. You can count on me doing a web series if I go through with it, because I will have plenty to say and plenty of things to show, whether good or bad!!!

SOURCES: SWEET SIERRA LEONE, SWIT SALONE, HOW WE MADE IN AFRICA, FACEBOOK & YOUTUBE

The Afroklectic Project: Experiential Research

2011-10-05T22:58:00.002+11:00

A few days ago I posted about The Afroklectic Project, a sneak peak at what I have been working on for my Major Project. I have mentioned previously that I have been interviewing young African-Australians. The video below gives insight to their creative practice, experiences as a creative within the African culture and their views of an African creative culture emerging in Australia.

National Conference: IYFPOAD

2011-10-03T18:00:00.002+11:00

On Friday, I was privileged enough to attend the National Conference celebrating the International Year of People of African Descent () hosted by the African Women Australia Inc. I also got the opportunity to share my experience growing up as a Ghanaian-Australian (I cover this in Identity battle 23/07/2011), being confused which side of the fence I was on, how I have used creativity to find myself and my Major Project (The Afroklectic Project).

I mentioned in one of the workshops focusing on youth that it's all well and good that Government and Council bodies are supporting the refugees, but people seem forget those of us born here. Everyone assumes we are fine because we are born here. However, we too have a different kind of struggle.

Now I have conquered and I have found myself, but if these issues are not addressed, if there is no support, then how is the wider community going to deal with the new generation of children born to refugee parents in Australia.

People were shocked. Shocked because they had never heard of this, but they also understood where I was coming from. We also discussed the divide between those of us born here and those who came to Australia. It's such a touchy subject in so many ways.

What can be done to address these matters? If you hold workshops, young people are not going to come. No one talks about it. We laugh about it all the time, but we don't actually talk about it.

People in the workshop, mentioned using the internet to start the conversation. That's the first thing I thought as well, hence Afroklectic. However, I don't think the internet should be the only way.

I went home and I told my parents my experience at the conference, what was discussed at the forum and I what I spoke about. They couldn't comprehend this whole identity issue, which I found quite frustrating so I gave up explaining. That's even another issue. Our parents don't understand our battle and we don't understand theirs. How do we find common ground?

So many questions are spinning through my head! I hope we can organize a youth conference in some way mirroring what occurred at National Conference celebrating the International Year of People of African Descent to discuss these matters further.

the afroklectic project

2011-10-01T07:30:00.004+10:00

This is just a sneak peak at what I have been working on for my major project.

For more you can check out my tumblr.

24 hours in Africa

2011-09-30T11:00:00.000+10:00

Here are some cute images '24 Hours.....' designed by Fernando Volken Togni, posted by Creative Roots. I would like to see 24 Hours in other African cities like Lagos or Accra or Nairobi. I wonder how Fernando Volken Togni visualize places like that! All I can think of Accra and Lagos is dust and haze.

The images took me back to the first time I went to Ghana. In 24 hours I saw a lot in Accra. Actually within 5 mins of landing I saw a lot. A few days after my arrival, I sent this email to my friends 'Dust on my glasses. smell of burning rubbish and diesel. Overcrowded trot-trots. Weird heat sensation. 50 billion people in a 2m diameter. Yep I have safely arrived in Ghana by the grace of God. I am truly feeling it. Only been here like 4 days or something, and feels like I have been here for like a month already'.

That email was a quarter of what I experienced. Not to mentioned the roads with pot holes the size of a football, open drains, bad driving the list goes on, however that is my beloved Ghana!!!

Visualize that!!!

SOURCE: CREATIVE ROOTS

growing up Naija

2011-09-29T10:30:00.002+10:00

Growing up Naika is a hilarious concept. I can just imagine these experiences, even though I didn't grow up in Africa.
I know if my friends and I got together and did this, we would have plenty to say about growing up African in Australia. Going to the shops and having people touching your braids, rocking up to school with rice & stew, classmates telling you that you smell like chocolate and OMGOSH you look like chocolate so they might as well eat you, when it's actually your Palmers or Evasheen CocoButter cream.

SOURCE: JUNGLE LOVE

feeling fela

2011-09-28T14:00:00.000+10:00

There must be Fela fever going around. There was the Swizz Beatz vs. Fela Kuti Pt. 1 featuring songs by of course Swizz Beatz, Beyoncé, Eve and T.I. Now there is Fela Soul by Gummy Soul, a mixtape of Fela classic tunes merged the tunes of De La Soul.

I am digging Fela Soul soul so much more than Swizz Beatz vs. Fela Kuti Pt. 1. I think Fela Soul sounds more in tuned and has an amazing chill out soulful sound. I would expect nothing less than that when you are mixing a legend of Afro-soul with legends of hip-hop. It is the correct level of fusion! Both are available for free download.

Fela Soul is a musical tapestry created by Gummy Soul artist Amerigo Gazaway. More than just a clever title, Fela Soul is an 8-track, 33 minute journey into the world of afrobeat rhythms, funky horn riffs, and classic hip-hop gems. Using dozens of hand-picked samples from the Nigerian instrumentalist and political figure Fela Kuti, and 8 carefully-chosen acapellas from the Native Tongue rap trio De La Soul, Amerigo seamlessly intertwines the two into something completely new and original.

- GUMMY SOUL

Swizz Beatz uses his skills as a top-notch producer in putting out a mix which can be seen as a tribute to one of the Legends of African music, Fela Kuti. The multi-talented producer teamed up with DJ Runna to mash-up nine-tracks made up of vocals from some tracks produced by Swizz Beatz such as; Touch It by Busta Rhymes, Get Bodied by Beyoncé and Tambourine by Eve, whilst their tune remained afrobeat as done by Fela.

- DJ MIGHT MIKE

African fever

2011-09-27T11:58:00.001+10:00

I have already made mention previously that I am not fussed about this whole Ankara debate surrounding Burberry. A few days ago I posted about a collection I wasn't really feeling. I just couldn't imagine myself in it. As for the Burberry 2012 Spring Ready-to-Wear collection, I can imagine myself virtually everything even the menswear! I love how every detail is considered. It's not just about the clothing, but the complete look and how it works well with accessories and so forth.

Christopher Bailey has concocted a mix of crochet, beading, carving, weaving, braiding, printing with a lot of colour to create an amazing collection of pieces. According to Style.com, Bailey was inspired by British artist Henry Moore, but we all know the core of this collection. I think Bailey has African fever at the moment and I like it!

SOURCE: COUTE QUE COUTE & STYLE.COM

one day

2011-09-25T11:00:00.001+10:00

When events like Arise's Made in Africa take place, I wonder why do I live in Australia? As much as I love Australia and feel very blessed to have been brought up here, I seat in envy in front of the computer screen checking out photos and watching interviews about events I would LOVE to be at.
Living in Australia, we miss out on experiencing the full benefits of the creative buzz developing in Africa and the Diaspora. I know one day Australia will get to that point where we too will be able to hold events Arise's Made in Africa, but that one day is not tomorrow. It's going to take time.

SOURCE: LOVE FOLA & THE FADER

Simonetta Ravizza Spring/Summer RTW 2012

2011-09-24T08:00:00.001+10:00

Once again we are seeing Ankara flowing down the runway. This time it's Simonetta Ravizza Spring Summer 2012 Ready-To-Wear Collection. I like but I don't like. There is something about it that I can't put my finger on. It doesn't seem to excite me like the Burberry collection. Maybe it's because I can't picture myself wearing many of the pieces.

SOURCE: NATURAL BELLE & ELLE.COM

Afia Schwarzenegger

2011-09-23T12:00:00.007+10:00

I found out about this new show in Ghana titled Afia Schwarzenegger on Lifestylz GH. I thought I would just watch one episode and go back to doing Uni work. But instead I spent the whole afternoon in stitches watching all the episodes.

Afia Schwarzenegger prances around with her dog Biscuit Gaga (aka. the only dog with swagger), telling people she a global traveller, the Goddaughter of Arnold Schwarzenegger and the niece of George W. Bush. LOL. Afia Schwarzenegger is actually a diva of a con artist, who's real name is Grace Boamah (played by Valentina Nana Agyeiwaa) born in Aburi and has never left the shores of Ghana.

Writer Deloris Frimpong-Manso has created a unique protagonist - a broke wannabe socialite/diva and married her with the perfect actress to bring us a hilarious comedy series. The show is in both English and Akan, however there are no subtitles, which is quite unfortunate. I think it's one of those shows which could become quite popular in other African countries.

For more episodes, check it out on YouTube

soul is heavy

2011-09-22T11:00:00.002+10:00

Soul is beyond heavy when it comes to Nneka's sound and musical process!

TEDxEuston

2011-09-20T10:30:00.000+10:00

Ideas worth spreading!
TEDxEuston

Africa and the Creative Discourse

2011-09-19T13:20:00.013+10:00

In May 2010, I went to the PUMA.Creative Mobility Award Recipients to Contribute to Forum Entitled, Distance, Diaspora and Aesthetics in African and Caribbean Art as part of the 17th Biennale of Sydney. I have been meaning to write about the forum for a while but for some reason I couldn't find the right moment and now I have. For my major project, I have been researching into why Africans seem to devalue creativity. My curiosity into this subject matter was fuelled by a conversation with an African stranger on the train earlier this year.

About 4 months ago on my way home from Uni I was about the get off the train and an African man (in his 50s or so) sparked a conversation with me. He asked me the general questions, where are you from? Were you born here? How long have your parents been here? Do you study/What do you study?

What started as a friendly conversation turned sour when I told him I study design. He gave me a dirty. A fatherly look of disapproval. Like I had disowned him in some way. Mind you I DON'T KNOW THIS MAN. I just looked at him and thought 'WHAT THE?'.
In a rude tone he said 'Design. Why do you do that?' I told him because it's what I wanted to do so I am doing it. Then I got off the train, but I couldn't get the look on his face out of my mind. Why did he do that? What is wrong with design? But all at the same time, I wasn't surprised. I have had people say to me 'I can't believe your parents let you do that. Mine wouldn't', 'Interesting. Black people don't usually do those kind of things', 'Your parents must be really cool to let you do that', 'Wasn't your Dad angry?' etc. I have laughed at all those questions, but never really took note because they were questions from people I knew (mostly Ghanaian people). So to me they were just typical questions from oblivious people. But the gentleman on the train, was the icing on the cake!

It got me thinking, why Africa and the creative discourse don't seem to mix. I started reading a few articles to feed my curiousity. I couldn't find very many, but these two articles in particular '5 reasons why design matters: An argument for African parents, businesses & other skeptics' by Lulu Kitololo of Afri-Love and Notes on the African Creative Economy by Mimeta - Centre for Cultural and Development brought my mind back to the PUMA.creative forum last year. The forum looked at why African art was not widely publicised or acceptable.

Here are a few points which I noted down:

There is a Lack of infrastructure. There are not many galleries or initiatives which promote art
Where is the money to invest in the arts? Governments and larger corporations do not invest in the arts therefore the people do not invest or value the arts.
Art is one's imagination, nothing to do with the world around you whether you're in the first world or 3rd world. Art should be seen the same everywhere.
Africa needs to have big art events to help promote artists. eg. Like the Biennale. Creating exposure for the continent and it's artists.
There is an stigma about art in Africa
There is no official support for African artists in their respective countries

I was very inspired by this forum. It made me realise that I need to do something within my African community in Australia to promote creativity. Whether big or small, I need to do something.

As I do this project, I constantly wonder why Africa and the creative discourse don't seem to mix like oil and water. So I am asking you .... Why do you think creativity in the African culture is not valued like it is in the Western culture?

On A Wing

2011-09-17T19:47:00.000+10:00

PUBLICATION: RUSSH AUGUST 2011

MODEL: NYASHA MATONHODZE

PHOTOGRAPHER: ALEX FRANCO
STYLIST: GILLIAN WILKINS
HAIR: NAKOI KOMIYA

SOURCE: CAPITAL CITY PRETTY

essence: black style now

2011-09-13T23:26:00.000+10:00

Since I started working on my Final Major titled 'The Afroklectic Project', I have been in my own world. I go to bed thinking about the project, I wake up still thinking about it, I eat and think about it, I go to work and church and still think about it!!! It's my life at the moment and will be for the next 2 months. To chill mind and bring myself to reality, I have been watching TedxTalks, reading articles and quotes just to keep me in a positive mind frame.

Last week, Essence gave me the dose of inspiration I needed with the features below.

Black Style Now: Forty Fab Fashion Bloggers

Black Style Now: NYC Fashion Insiders

Black Style Now: African Designers

African publications in Australia

2011-09-09T16:55:00.001+10:00

There is a newsagency opposite where I work and once in a while I just walk in there to have a browse or purchase a magazine. A few months ago, I saw 2 copies of FABAfrica on the stands. This newsagency carries mostly mainstream magazines and independent magazines on the verge of becoming mainstream. So I was quite surprised that it was there, but took it as a testament to the growing African population in Sydney. Unfortunately that day, I had no money on me to purchase the magazine so I just walked back to work. But I kept thinking about the magazine, not become I didn't purchase it, but about circulation of the magazine. The newsagency near my Uni where I purchased two issues of Arise, had stopped. Although I am disappointed about this, I am unfortunately not surprised. It wasn't the right location for the magazine to get the attention it needed.

Last week, I walked into the newsagency last week and found the latest edition of FABAfrica 'The Escapism Issue' (this time I had money, so I bought it). I was happy seeing it there and being a strong believer in brand/product positioning and marketing I started to analyse the magazine on the stand. I concluded that FABAfrica is being stocked in a better location - there is a decent population of Africans in the area who shop frequently shop in shopping centre where the newsagency is located. So it's in a good place to target the right demographic. The magazine is in a good position on the stands. If you are looking for a mainstream magazine, it is likely your eyes will glance past FABAfrica. So, I am hoping that FABAfrica will stay on the stands for the long haul, which will then open doors for other publications especially the free publications like African Times Australia and African Oz and eventually other newagencies.

Hausa Woman

2011-09-06T22:33:00.000+10:00

TITLE: HAUSA WOMAN

PHOTOGRAPHY: QUAZI KING

SOURCE: THE QUAZI' PERSPECTIVE

the social stuido on mainstream

2011-09-05T16:12:00.002+10:00

I have written about the amazing initiative of the Social Studio before, but I wanted to post this recent clip from the 7pm Project. Excuse the ads, it's mainstream TV!

saturday night sounds

2011-09-03T23:57:00.003+10:00

VanJess has soothed my ears whilst I have been at home doing my Major Project.

LOVE!

SOURCE: VANJESS

X factor: Derry Mensah

2011-09-01T01:34:00.000+10:00

I saw this video on my friend's facebook page and I was in stitches of laughter.

Unfortunately I can't embed this video. But you can check out the link below.

Derry Mensah's audition - The X Factor 2011 (UK)

their routine

2011-08-30T21:19:00.002+10:00

So I know two guys by the name of Sir. Izac and Lemo who are taking their style to a new level. You could say that they are slowly becoming the Australian Street Etiquette duo. I know that they are not trying to become that, but that is the best way I could describe them to you. I think their style is a mixture of ivy league, with a bit of their Ghanaian heritage streaming through.

They have their own routine happening and have started building up an archive of their looks and mini projects on their tumblr. Showing people how they fashionably roll in Sydney, not for attention but expressing their unique look. It's quite exciting for me to see this evolving first hand because it is great seeing people expressing themselves and their capabilities in different ways within the Australian-African community.

Sir. Izac & Lemo

SOURCE: OUR ROUTINE & XSSAT

honouring Ozwald

2011-08-29T23:44:00.000+10:00

Some time back, a fellow blogger sent me an article about Ozwald Boateng receiving an honorary degree from the University of Creative Arts (UCA) for his contribution towards British fashion.

When I read the article, I was so elated. Firstly, because I went to the UCA Epsom on exchange last year. From the moment I stepped foot on their campus, I noticed that they must have a very fine fashion department. I couldn't believe I was looking at pieces by University students. The craftsmanship and quality of the pieces I saw were AMAZING!!!

Secondly, this is an amazing honour for a well deserving recipient who just happens to be African. Thirdly, I have mentioned this before - when you want to follow a particular path and you see someone you can relate to achieving great things in your desired field, it makes you believe in your dream so much more! Ozwald's achievements reinforce the 'Yes I Can' attitude in my mind.

"Ozwald has made such an impact on British fashion - the creativity and spark that characterise his designs inspire our students and raise their aspirations".

- Professor Elaine Thomas, Vice-Chancellor of UCA

I remember at some point I considered studying fashion design and I told my Mum. She was like 'Oh fashion design. Mmm Gillean, I don't know. Won't that be hard for an African person'.

And I said 'Mum, do you know who Ozwald Boateng is?'

She had no idea who I was talking about, but she knew I had killed her question!

SOURCE: UCA & VOGUE

djenne

2011-08-25T22:12:00.000+10:00

Exquisite!

PHOTOGRAPHER: FRANCESCO GIUSTI*

COLLECTION: DJENNE / AGADEZ

SOURCE: RAW LIKE SUSHI & FRANCESCO GIUSTI PHOTOGRAPHY

* FRANCESCO GIUSTI is a freelance documentary photographer oriented toward investigation
of social realities, communities and identity related issues.

what if.....

2011-08-23T11:00:00.001+10:00

If I Told You by Anthony Anaxagorou

We shouldn't believe everything we hear!

SOURCE: THIS IS AFRICA

afro-creative: Wanyika Mshila

2011-08-22T18:17:00.001+10:00

As part of my experiential research for my Final Major Project, I have been video interviewing young African creatives. Today I had the pleasure of interviewing Wanyika Mshila the founder of Froq Afriq. I had never met her and within two minutes of meeting her, I was blown away!

Mshila came to Australia about 10 years ago from Kenya to further her education. She completed a degree in marketing and started working in finance. Yet, she always had creative blood running through her. She begun dancing at a very young age and her passion for performing has given her the opportunity to work in an upcoming Australian theatre production.

Last year, she took what I would call the adventurous route and started a label by the name of Froq Afriq. An accessory line merging African culture with western style. Her limited edition signature items are sophisticated, elegant and classic hand crafted leather bags with Ankara fabrics and accessories, all designed and made in Australia.

I am inspired by Wanyika Mshila's spirit and attitude towards bringing creative Africa to Australia.

Mshila is also part of a team working to bringing the first ever African fashion show to Australia in October. I will surely be bringing more details about the event.

You can purchase Froq Afriq on Bluecaravan and keep upto date with the latest pieces on Facebook.

SOURCE: FROQ AFRIQ

Leo

2011-08-21T10:30:00.000+10:00

A few days ago, I saw my 14 year old male cousin for the first time in about 4 or 5 months. His voice had changed, he had grown so much taller. I couldn't believe it. I had gone to the UK for 6 months and I didn't realised

Thoughts started to mess with my head, 'OMGOSH this little kid that I have watched grow up is now turning into a man. He might start going out with girls. I need to screen each girl he goes out with. I don't want any girl messing with him. I wonder if his Dad has given him the talk!'

I happened to come across the trailer for 'Leo' on THIS IS AFRICA. I began to chuckle as I was watching it. They were addressing the thoughts I was having relating to my cousin.

Leo is a charming and beguiling adult fairy-tale set in Nairobi, a Metropolitan City in Kenya that is a melting pot of East African culture, art, politics and commerce. It is a story about Maasai boy, raised in a low-income home, achieving his dream against all odds. A simple story that captures the essence of a child’s heart still open to all the possibilities of achieving his dream in Kenya.

- SHADOW AND ACT

SOURCE: THIS IS AFRICA & SHADOW AND ACT

The 20 Youngest Power Women In Africa

2011-08-19T23:38:00.001+10:00

Forbes.com 'The 20 Youngest Power Women In Africa' by Mfonobong Nsehe,

Inspirational.

Question: Where are photographs of all these amazing women?

rage & blood

2011-08-18T23:35:00.000+10:00

Born and raised in Alford (Scotland) to a Zambian father and Cumbrian mother Emeli Sandé belts out sounds of sorrow, rage, pain yet so soulful in the form of lyrical narratives.
Before pursuing a career in music, Emeli studied medicine at University. She's also written songs for the likes of Alesha Dixon, Cheryl Cole and Susan Boyle.
The Guardian states If this is R&B, the letters stand for "rage" and "blood".
I totally agree. I wonder if medicine has influenced her song writing in some way!

SOURCE: MARIAN KIHOGO & THE GUARDIAN

take me back to summer

2011-08-16T13:53:00.000+10:00

NB: The killer tights spotted in this image were designed by Rebecca Garozzo

MODEL: EDEM DOKLI

PHOTOGRAPHER: LAURA MARII

MAKE-UP: REBECCA GAROZZO

black means different things in different places

2011-08-14T23:58:00.000+10:00

I love about the identity battles of Africans in the diaspora. Everybody's experience of the issue is different yet the same. I can relate to those stories. And those are the stories which touch me the most.
It was very interesting to watching spoken word by Lola Adesioye (below). Interesting because it never occurred to me that being of African descent in the UK was very different to being African descent in the US. I kind of thought because there are a few generations of Africans in bother countries, culturally defining oneself wouldn't be as difficult as it is in Australia. I obviously had the wrong idea. As Lola stated, 'being black in the UK doesn't mean the same as being black in the US..... Being black means different things in different places!'.

SOURCE: AFRO-EUROPE

imagine a life without photos

2011-08-13T23:38:00.000+10:00

Unfortunately in recent years during our hot summers, mass amounts of land have been plagued by fire. Raging fires have taken houses and people in their destructive path. I have noticed on TV when residents are being interviewed whilst they are in the midst of evacuating their threatened homes, they always seem to say 'The first thing I started to pack were the photos'.

A Photo is visual evidence of a moment occurring. Seeing a photo gives you the visual spark to relive that moment or try to position yourself there at that time.

When I was younger, I was so frustrated that my parents didn't bring any photos with them from Ghana or Nigeria. They didn't seem to understand why it was so important to me.

For me, in my head it was as if my parents had no history. They told me stories of when they were younger, but to me they were just stories with no depth. That notion changed when I to Ghana with my parents for the first time. My Mum was rummaging through my Grandmother's things and she found a tattered photo album. What she really found was the history I had been longing for. The proof that my mum was once my age, proof that she actually went clubbing (She would say the word 'disco', but I beg to differ) and proof that her and her family lived through the 1970s. My Mum finally understood why I was so set on seeing old family photos. And now the album is in my house!

I was very moved when I read about Liberia 77 project on AFRICA IS A COUNTRY. It reinforces why photographs are so important. Jeff Topham and his brother Andrew lived in Liberia in the 70s. Their father worked for a Canadian company which made explosives for the Liberian mining industry. During their time in Liberia, their father took many photos documenting the family's life, the people and the country. Thirty years later the brothers return to Liberia to revisit their childhood. What becomes clear is that their father's photos are more than just visual memories, but evidence of what Liberia was before the war.

On the wish of President Ellen Johnson Sirleaf urging people to dig out their photos and contribute to building a collection for the National Museum of Monrovia with the help of Liberia 77.

They say a picture can translate into 1000 words. Retelling events of the past verbally, may bring unwanted emotions, but with a picture, no words need to be said. A picture translates into all languages!

Photography is connection.

Photography is life.

Photography is history.

- LIBERIA 77

SOURCE: AFRICA IS A COUNTRY & LIBERIA 77

successful

2011-08-12T06:33:00.004+10:00

Now who doesn't want to be successful!!!
Although, my idea of success is alot different to what is proposed as successful in this remix of Drake's 'Successful' by Naeto C. But I still like it!

scarce for a reason

2011-08-10T23:40:00.002+10:00

I am just letting you know that I might be a bit scarce with posts for the next couple of months.

I am currently working on my final major project.

Four years of Uni, about a year of working in the industry and about a year worth of travel, I have finally arrived to this point! When I started Uni, in 2007, I knew that I wanted to work with something evolving around my culture. I just didn't know this would be it!

As mentioned in Identity Battle (23.07.2011) for my major project, I am working on transforming this blog into a hub - A creative online space for collaboration and promotion of creative Africans in Africa, and the diaspora, with a strong focus on creative people of Afro-Australian descent!

In the four years I have been at Uni, Afroklectic is the only project I have been able to continually devote my all creative energy and effort outside of my hectic Uni schedule. It is also the one thing I have been able to do without worrying about the marks or feedback I would get. And now I am making this passion project subject to my fears. I am very nervous, but at the same time very excited about the process and the possible outcome.

I will try to post regularly, but if I am not around for a few days or even a week, you know why!

You can follow my process at gilleanopoku.tumblr.com.

I look forward to unveiling the new Afroklectic to you in early November!!!

Watch this space for updates on the date of release for the new space!!!

This is just a photo of a space I set up in my living room this week. I call it, 'my inspiration corner'.

summertime with Kirrily Johnston

2011-08-09T21:34:00.000+10:00

Australian designer Kirrily Johnston has taken a bold step in Australian fashion. For her SS 11/12 kj by Kirrily Johnston collection, she has used black models for her campaign images.

I don't think I have ever seen even one black model being used solely for a fashion campaign like this.

It is a breath of fresh air to see this! I was drooling at the sight of these images. I amazed that I was seeing these two models and I was admiring the appeal of the images.

Chasing Bow notes that kj by Kirrily Johnston closes the gap between high fashion and casual street style. The collection contains essential wardrobe pieces and a reinvention with Kirrily's volume draping and detail. Each piece is designed to be worn layered, styled or simply just thrown.

I have always known Kirrily's work to be mostly free-flowing with a focus on draping in subdue tones made of the finest quality, often with a splash of bright colour in a few pieces. But I think this collection, defines what the 2011-2012 Australian summer will be like!!! NICE AND WARM by THE SEA!!!

The bursts of red and orange representing the hot Australian sun. The blues and stripes, a symbol of our beaches and white representing the freshness of the summer breeze. I think Summer 11/12 is the time to sit back and unwind with kj by Kirrily Johnston.

MODELS: ADHIEL & JACOB

PHOTOGRAPHY: GEORGES ANTONI

STYLING: KELVIN HARRIES

SOURCE: KIRRILY JOHNSTON, KIRRILY JOHNSTON FACEBOOK & CHASING BOW

afro-creative: Yagazie Emezi

2011-08-08T23:25:00.001+10:00

Check out these amazing photos of afro-creative Yagazie Emezi Photographed by Cameron Davis

for Vogue Italia.

Yagazie Ledi Francisca Emezi / Nigerian-Malaysian / Raised in Aba, Abia State of Nigeria / She's a Poet / An Artist / A Hungry Aba Gal / Studying a double major in Cultural Anthropology and Africana studies in the US.

Yagazie takes readers and views on an interesting journey through her blog, YouTube videos and tumblr. She wears Nigeria culture on her sleeve with pride, whilst trying to ground herself in the United States. I often wonder people who move from Africa to the Western World. I have especially been curious about the experience of my friends who have moved from Ghana to Australia at an older age. I have just wanted to know more about the way they thought of Australia, what did they expect when they were coming, how they adapted to Australia, how it has changed them and so forth. But there never seems to be the right moment to spark it up in a conversation. It's a topic which seems beyond personal. And I think that is why in the Australia-Ghanaian community, there is an invisible divide between those of us who were born in Australia or grew up in Australia from a young age to our brother and sisters who moved from Africa to the Western world at an older age. We do not understand their experiences and vice-versa. So for me, Yagazie Emezi's words and videos are giving me a better understanding to the situation. I now have a new found empathy for my friends.

For more on Yagazie Emezi check out her tumblr Jungle Love - Yagazie Emezi and her blog Hungry Aba Gal

SOURCE: CAMERON DAVIS, NATURAL BELLE

afro-creative: Andy Okoroafor

2011-08-06T19:37:00.006+10:00

ANDY OKOROAFOR / NIGERIAN BORN / BASED IN FRANCE / MULTI-TALENTED / FOUNDER OF CLAM MAGAZINE / FILMMAKER / ART DIRECTOR / VISIONARY.

mark it on the wall prt. 2

2011-08-04T22:33:00.000+10:00

I posted about a typographic concept map of Africa for the wall (Mark it on the wall - June 24, 2011) sometime ago. I was quite surprised that the producer left out a few countries like Nigeria and Sudan. When I was writing the post, I wanted to post the image below as an example of an effective concept. But I couldn't remember where I found it. Until yesterday when I found it on AFRICAN CREATURE. I haven't been about to figure out where the map was presented. I am guessing it was at a museum.

I love how each flag has been inserted into the scaled land space of their country. No matter how big or small, the flag is in the space.

Now this is what I call a smart graphical concept to mark Africa on the wall!!!

SOURCE: THE BEAUTY OF AFRICA via AFRICAN CREATURE

acknowledge the source

2011-08-03T23:58:00.003+10:00

I have mentioned a few times that I am obsessed with The Fader. It is my daily fix. I get excited when I find a fresh new post about creative genius Mobolaji Dawodu. I started watching Behind the Scenes: Mobolaji Does Capsule Tradeshow and I got quite a surprise 35 seconds into the clip.

Monitaly is an Asian based male label whose designs evolve partly around the 1950s classy American look with a Monitaly twist. For their 2012 Spring/Summer collection they have incorporated Ankara print with some of their designs.
Now, I am a bit frustrated that I am not seeing enough acknowledgement about their obvious inspiration. I have noticed on Facebook and a number blogs the debate over non-Africans using African prints, copyright, it shouldn't be allowed, blah blah blah! I don't really see what the big fuss is. I think the whole issue doesn't really phase me because I spent years hearing the word 'APPROPRIATION' in visuals arts during secondary school and university. I also had this quote by American film director Jim Jarmusch drummed into my head.

"Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery — celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from — it’s where you take them to.”

My only issue is the fact that people don't acknowledge the source. I just think it's common courtesy to do so. In an article titled 'Burberry Joins the Ankara Frenzy' by Chioma Chinweoke for Face2Face Africa I stated that I think.....

"it’s pretty cool seeing non-Africans translating our cultural elements and using it for various applications like fashion and furniture. I think it demonstrates that these elements are accessible to all and not just for Africa. I am just frustrated that at times it is not acknowledged that they were influenced by Africa to create whatever they have created. For example, the whole Adidas thing with naming a shoe 'Kente' and suggesting they came up with the name and unique design when clearly it was taken from the traditional handmade Ghanaian fabric. That's not cool! I am over the whole argument that it's African and it's copyright. Stealing and borrowing ideas to make it your own is appropriation. It's an aspect of art. Big labels like Burberry and Missoni have done a good job of that!”

I just don't understand why it's so hard for people to just acknowledge the source!

SOURCE: THE FADER, SELECTISM & FACE2FACE AFRICA

touching base

2011-08-02T23:16:00.003+10:00

I read about this new short doco series called Touching Base by MTV Base (Africa) over a month ago on Nollywood Uncut and I was so intrigued. But I couldn't find the episodes anywhere until a few days ago when I was on the 37TH STATE Tumblr.

Touching Base presents a whole new generation of Afro-cool, and introducing us to the street savvy, super-creative characters whose talent is taking on the world! Taking the form of inspiring and beautifully-crafted two-minute documentaries, highlighting talented young individuals from across Africa from the new wave of creative entrepreneurs, spotlighting impressive game-changers from across the continent who are trailblazing in the fields of photography, fashion, illustration, art, film-making, music and more.

I am so impressed, inspired and blown away about the level of talent streaming from Africa. Touching Base is a fantastic series!!!! It's amazing watching seeing how the new creative wave in African evolving into an ocean!!!

You can keep up to date with the episodes at MTV Base.

SOURCE: 37TH STATE, & MTV BASE

Madagascar

2011-07-31T22:40:00.000+10:00

British Print Designer and Fashion writer Charlotte Linton opens us to colonial exploration, antique imagery of naturalists, archive papers held at the London Zoological Society and Hergé’s The Adventures of Tin Tin through her line of scarves known as The Charlotte Linton Collection.
The scarves are inspired by Linton's fictional muse - Ermantrude, a zoologist travelling the world in the early part of the 20th century. The scarves evolve around Ermantrude's electric wardrobe and travel experiences.
Linton's Spring/Summer 2011 collection are visual prints of Ermantrude's expedition to Madagascar. The prints are inspired by the coral-like plat life of the island's spiny forests, unique flora and fauna, riches in natural minerals and Ermantraude's passion for anthropology and archaeology.

The collection features four wool and four silk scarves, allowing versatility throughout the seasons whilst adding vibrancy to an outfit.

The richness of this collection makes me want to go to Madagascar!

SOURCE: BLACK FASHION & CHARLOTTE LINTON

the future of Africa

2011-07-30T18:12:00.000+10:00

'The Future of Africa' is a short documentary by ONE's Profiles and Perspectives Project. The film features inspiring students from the African Leadership Academy -- a pan-African education institution whose mission is to transform Africa into a peaceful and prosperous continent by developing and supporting its future leaders -- discussing how technology is helping them learn, connect and drive Africa forward.

ONE is a non-partisan organisation who work closely with African activists and policy makers to help raise public awareness and pressuring political leaders to support smart and effective policies and programs that are saving lives, giving children an education and improving futures.

I wish there was more to this video! I enjoyed hearing about Africa from youth living in Africa! It's quite refreshing because I am so used to hearing about Africa and what African needs from people who don't live on the continent.

SOURCE: MY WEKU, ONE & YOUTUBE

embracing otherness, embracing myself

2011-07-29T23:59:00.006+10:00

Actress Thandie Newton gives an interesting and insightful talk about 'Embracing otherness' for the TEDGlobal 2011. She tells the story of finding her "otherness", growing up in two distinct cultures (born to a Zimbabwean father and British mother), trying to find out where she belonged, and finding herself through acting and dance. When I watched the talk, I realised that I could relate to what she was saying in some way. Growing up in two distinct cultures, trying to put myself into one, learning to embrace the two and trying maintaining and expressing that identity through my creative practice (refer to Identity Battle).

Afia tween

2011-07-28T23:58:00.001+10:00

I posted about the Afia label a few days ago. Here is a sneak peak at their new tween collection.

It carries the same soft, chilled, summery look as the older collection, but with an added super-cute element perfect for tween girls!

SOURCE: AFIA

dream enablers

2011-07-27T23:49:00.000+10:00

Yesterday I posted about Afro-Australian singing and dancing sensation Timomatic who is now in the grand final for Australia's Got Talent 2011. I mentioned that Timomatic was an Artistic Director of a dance crew by the name of Kulture Break. Kulture Break was founded Francis Owusu. Son of a Ghanaian diplomat, Owusu's family moved to Australia during the 1970s. A time when black people were feared. In an interview with the Federation of Ethnic Communities' Councils of Australia in September 2010, he recalls his early days in Canberra, “If you were black, you were feared. When I got in the elevator, ladies would hold their bags. If you were an African male, you were feared..... I wished my skin was white so I could fit in".

Owusu found acceptance and love through dance. A practice with the ability to cross cultural barriers, giving people a sense of acceptance and worth, a sense of validation and appreciation. Owusu's passion for dance and the dream of influencing a culture empowering a generation through the arts, led him to start Kulture Break. A non-profit organization committed to producing creative arts initiatives with a community focus. It offers dance classes ranging from Hip-Hop, Breakdance, Contemporary-Jazz to Swing and provides outlets for students to perform locally, nationally and internationally. Since 2006, Kulture Break has worked with over 80, 000 young people in schools, jails and communities throughout Australia and the world.

Francis also runs workshops for young people from migrant and refugee backgrounds through organisations such as Red Cross.

I was so moved by his TED talk. I don't think I should call it a talk. It was a moving performance!

I love hearing and reading about people who has come from a similar background and made their dreams come true!!! It's a great motivational booster!!! Especially now when I am finding difficulty trying to articulate my dream for my final major project. I have been dreaming about this project for the past two years. I see it all in my mind. I can visualize what it looks like, what it can achieve now and for years to come. But when I explain to people, they don't all seem to see what I am seeing. I can related to him saying how people won't always understand your dreams, but there is power in them. So it is only fair that we follow them.

“Dreams are like the paints of a great artist. Your dreams are your paints, the world is your canvas. Believing, is the brush that converts your dreams into a masterpiece of reality.”

- Anonymous

SOURCE: FECCA, KULTURE BREAK & TEDxCANBERRA

afro-creative: Timomatic

2011-07-26T23:47:00.003+10:00

I don't know why I have written about the uber-talented Timomatic. I have been seeing him on Australia's Got Talent 2011 for the past two weeks or so (because my Mum has become obsessed with it), but for some reason it didn't click with me to post about him until today when my Mum came home and said we have to vote for 'Timo! We need to support African people getting themselves out there!'.

I am quite disappointed with myself at the moment. Here is me with a blog aiming at promoting Afro-Aussie talent and when there is someone right under my nose, I don't even realise!

Tim 'Timomatic' Omaji was born in Nigeria and relocated with his family at a very young age. He began dancing at the age of 11 inspired by Michael Jackson and Hip-Hop. Timomatic worked hard on his talent, which led him to the position of Artistic Director at 'Kulture Break' (a crew based in Canberra) at the age of 17 until he was 20. After spending six months at Uni, he decided to follow his passion and studied Entertainment at JMC Academy. Timomatic first graced Australian TV screens in 2009 as a top 8 finalist on So You Think You Can Dance Australia Season II. He then went on to star in FAME the musical until a back injury prevented him from dancing for a period of time. With a spirit of entertainment burning within, he turned to music.
Now Timomatic has returned as an Entertainment Machine making it to the finals of Australia's Got Talent 2011, with show-stopping musical compilations accompanied with smooth dances moves.

Check out more of Timomatic's craft on YouTube.

SOURCE: FAME

loud

2011-07-25T10:30:00.001+10:00

LOUD stands for 'LIVE OUT UR DREAM'. Abi Fashesin, a fashion and textile student and part time stylist teamed up with Ashley- Rae Tapping, a journalism graduate and media officer to live out their dream through fashion. Both of African descent, the duo have gone back to their roots and built a label which transforms traditional Africa prints into loud contemporary pieces of clothing.

I am especially loving the body suit and knickers. They are the kind of pieces which scream LOUD very clearly!!!

SOURCE: LOUD

sweet salone

2011-07-24T23:55:00.003+10:00

Sweet Salone: Portraits of Contemporary Sierra Leone by Sophia Spring

What comes to mind when you think of Sierra Leone?

Most people will immediately think of the country’s civil war that raged throughout the 1990s, and recall the harrowing images of child soldiers and amputee victims. This conflict ended nearly a decade ago, yet we are still stuck with snapshots from this sad chapter in the country’s history.

Today the story is very different. If you walk through the bustling streets of Freetown, or spend an afternoon on one of the peninsula’s stunning beaches, the atmosphere that pervades is one of welcoming chaos and a certain joie de vivre. Sierra Leone - once West Africa’s most prosperous region - is now coming into its own again.

‘Sweet Salone’ is a series of portraits of Sierra Leoneans today. It is a project that aims to give a small insight into the lives of some of the individuals that make up this vibrant country. For too long Sierra Leoneans have been depicted in a less than positive light. It is time that this outdated portrayal is finally discarded.

- SOPHIA SPRING

'Sweet Salone' is a bittersweet piece of work!
Photographer Sophia Spring has created a beautifully compiled visual narrative detailing the real-life stories of Sierra Leoneans who have lived through the troubled years of Sierra Leone. Spring's photography captures the right emotion, the right tone and the right moment. These are the stories which need to be told to the world - the stories of the people's struggle, their hopes and their dreams for themselves and their nation today.

SOURCE: ANOTHER AFRICA, SOPHIA SPRING,

identity battle

2011-07-23T22:04:00.004+10:00

Africa 2 Australia: Do I really belong here? is an online documentary about the experiences of Africans who have now settled in Australia. It's quite interesting to hear/read their stories, but at the same time I think another chapter needs to be added! What about the children who were born in Australia to African parents? People say we have had the easy life. From the outside, it looks like our parents lived the struggle - they suffered to get here, make a home for us, financially support us and now we are reaping the rewards from the struggle with no fuss. But that is not the case! We have had our own struggle!!! We had/have our own identity battles which have been slipped under the rug!

I am so glad that 2011 has been marked as the UN's International Year for People of African Descent! I think this is a good opportunity to share our stories and experiences.

Today I went to the FORUM - for 2011 International Year For People of African Descent hosted by the African Women Australia Inc. (AWAU Inc.). At the forum, very heavy question was asked. What has being in the diaspora done to your identity?

Being of African descent living in the diaspora has brought confusion with my identity, and as I said, we have faced some battles! So I would like to answer the question by sharing my experience with you.

When I was in primary, I considered myself Australian and my parents were the Ghanaian ones. I didn't really like linking myself to Ghana. Even though I was immersed in the Ghanaian culture, eating the food, going Ghanaian/African church and attending Ghanaian community events all the time. I didn't want to make that link. I justified not being Ghanaian by the fact I was born here, I sounded Australia, I thought I always acted Australian and I hadn't been to Ghana. Also, when I turned on the TV, I would see World Vision or charity advertisements suggesting that the whole of Africa was in poverty and everyone was so hungry that they were eating rubbish and rats. That wasn't me, therefore I must be Australian. But there was always that uncertainty of where I stood. But I never really addressed it. Funnily enough, my skin colour wasn't a factor in my justification. I never thought of myself as white, but my reasons seem more than enough for me to classify myself as Australian.

Third day of high school in art class, a not so bright girl asked me where I was from. I told her Australia. She asked me again where I was from. I told her Australia. Then she asked me again with a bit of frustration. I responded with an equal amount of frustration and said Australia. Then she said 'No but you are ..........' she paused. She directed her hand to her arm trying to refer to skin colour. I looked at her and said I was born here and my parents are Ghanaian. She responded, 'So yeah you aren't really Australian'. I didn't say anything to her because I realised that she wouldn't be able to comprehend the whole issue. But I went home and took a good look at myself in the mirror and I thought who am I kidding, I am Ghanaian. I may sound Australian, but my visual appearance matches Ghanaian! I eat Ghanaian food most times and I hold the traditions and practices in high regard. So I decided from that day I would just say I am Ghanaian. I thought it would save me from getting all the questions.

That decision, brought me even more questions. Someone would ask me where I was from, and I would respond with Ghana and then they would say 'But you have a strong Australian accent'. I would then say, it's because I was born here. Then they would tell me, 'No that means you are Australian'. These scenarios would often make me confused. It got to a point where it felt as if I would wake up and say to myself, 'Today I will tell anyone who asks that I am Australian and then next week I will say Ghanaian!'.

Going to Ghana in 2004 for the first time was a turning point for me. It felt like home, the place of my roots, the place where I was eating proper Ghanaian food and no Australian substitutes!!! The place where my parents grew up, the place where my Grandparents grew up, the place where everything was authentically Ghanaian!!! At the same time, to the Ghanaian people, I was Australian. To this was justified by the fact that I looked different, I dressed differently, my English sounded different and my Akan sounded like a different language to them. But after two months in Ghana, I returned to Australia and pretty much wore a sign on my forehead saying 'I am Ghanaian. Who cares that I was born in Australia. I am Ghanaian!!!' This seemed to frustrate my high school friends. They couldn't understand why I would refuse to call myself Australian. They felt like I was disowning the soil that cultivated me. I didn't see it like that. I just saw it as me trying to situate myself into the right identity group.

About two years ago, my best friend and I came to the conclusion that we are African-Australian. We may think we tilt to one side more than the other, but at the end of the day it balances out. We are the product of the Australian and Ghanaian culture. We can't hide from that!

It will take time for people to understand the term. The term needs to be coined for our generation. It needs to be part of our cultural terminology. We are waiting for the day when we can just say African-Australian or Afro-Australian like people say African-Americans with no questions added.

Another thing which adds to our African identity issue in Australia, is that we are misrepresented around the world. People seem to think that there are no Africans in Australia. I blame mostly Australian shows/movies which have gone international like Home & Away, Neighbours and Crocodile Dundee make/made no reference to African-Australians, doesn't mean we don't exist!

When I went to the UK, some of my housemates couldn't comprehend the fact that I was born in Australia. It didn't seem possible.To them an Australian was Anglo looking, beach-loving with blue eyes and blonde hair. I wasn't blonde. I wasn't a fan of the beach (I don't even live close to the beach) and I didn't surf. So that meant I wasn't Australian. Then I would have Skype conversations with a fellow Ghanaian-Australian speaking a combination of Akan with broken english sprinkled with Australian slang. That was confirmation for my housemates to label me as Ghanaian. However, I would go out to the shops and say one word and a sales person or passerby, would say 'WOW you are Australian. Wait....there actually black people in Australia?' Or people hear my accent and assume that I am American, because that's probably the only place I could possibly be from with such a heavy Western accent.

Defining by identity has been a mixture of confusion, frustration and pride. It has taken time for me to understand who I am and where I am from. Although it has been emotionally taxing, it is an experience which I now share with a positive attitude and humour. For me now, the battle is maintaining that identity for myself and my children, educating and projecting it to the world that African-Australians are alive and kicking!

The question of 'How do we maintain our identity?' was also posed at the forum.

Apart from practicing the Ghanaian traditions, eating the food and wearing the clothes, I try to stay in-tuned with Ghana and Africa by reading, researching, asking my Mum and Dad a billion questions just to keep abreast. I also use my creativity as a way to to maintain my identity. I like to think of myself as an Afro-African creative. I mix what I have learnt from my Western education with my African culture. A classic example of that is this blog!

I only hope that Afroklectic continues to be a platform to project our work, thoughts and experiences with the rest of the world. I am currently working on transforming this blog into a hub for my final major project. A creative online space for collaboration and promotion still focusing on creative Africans in Africa and the diaspora, especially on people of Afro-Australian descent!

Afia

2011-07-21T23:59:00.004+10:00

Afia is a sustainable women's fashion line of style and purpose, valuing the art in every step of the production process. Afia was founded by Meghan Sebold after she went to Ghana for a research project on the textile industry whilst she was studying at the University of San Francisco. Intrigued with Ghana's iconic wax prints and Ghana's crafty seamstresses, Sebold wanted to develop something which would make a positive impact on society and draw international exposure.

The textiles for the name are sourced from small vendors in Ghana, pieces are hand sewn by the Dzidefo Women's Cooperative in Kpando, Ghana whilst the clothing pattens are made my individuals in the United States and Ghana. All these practices are supporting fair wage labor, international collaboration and handmade goods.

The name 'Afia' is taken from the Ashanti name for a female born on Friday, which is also the day Sebold was born!

I really like the pieces produced by Afia. They are soft, chilled, summery and basic!!!

Just what a girl needs for summer!!! Especially under the burning Australian sun!!!

SOURCE: AFIA & CIAAFRIQUE

Mama Africa on The Cosby Show

2011-07-20T21:44:00.001+10:00

I have been watching re-runs of The Cosby Show on YouTube for the past two weeks or so and I happened to watch episode 10 of season 8 titled 'Olivia Comes Out of the Closet' featuring the late musical great Miriam Makeba aka. Mama Africa (1932-2008).

I remember watching this episode years ago. I was young and clueless. Seeing Miriam Makeba for me, was like seeing someone like Whitney Houston on The Cosby Show. I was just excited seeing a singer I listened to, on a show I loved. I didn't understand the true meaning of her presense. Watching the episode today made me realise how significant the episode would have been then and how it is now - telling people that the Africa they see on TV is not all there is too Africa. The message is beautifully entwined towards the end of the episode when Makeba s describing her homeland. I felt I was in the moment of her recollection!

'....the sparkling lakes of Tanzania flowing through Uganda straight into Malawi where the green of Mozambique flows into the Zambezi. To the Drakensberg Mountains and the valley of a thousand hills. To the long sandy coast where the warmth of the sun says goodbye to us each day'.
Theo Huxtible (Malcolm-Jamal Warner) responds with 'Wow! You speak with such eloquence and passion about the beauty of Africa. We don't see that when we watch TV or read the newspapers'.

The punch line by Mama Africa ....... 'That's because that is all you are shown!'

Nairobi - face to face

2011-07-19T23:36:00.002+10:00

Italian photographer Ambra Vernuccio has created an amazing photographic body of work called Nairobi - Face to Face. The photographs were taken in Kibera and Umoja, neighbourhoods of Nairobi.

Her work takes a look at the 'profound cultural and identity changes that occur in our contemporary world. She set out to 'investigate the roots of social structural issues that countries like Kenya are now facing and how this is influenced by its economic system'.

"I wanted to show all those intimate moments that are part of the everyday life and which reveal the bond that exists between a person and their life in the slums. Places which are at the same time somber, moving, joyful and interesting".

- AMBRA VERNUCCIO

Vernuccio has captured an amazing depth of rawness and truth in these images. I don't seem to see the slums she refers to in her rationale. Instead I see people in their everyday surroundings getting by.

Life, domesticity and culture is what I see!

SOURCE: AMBRA VERNUCCIO, FLICKR & AFRICAN DIGITAL ART

fab Africa

2011-07-17T21:00:00.025+10:00

These bags by Fab Africa live up to the name of being fab and African!
I am especially loving the hessian sack bags with the Ankara fabric trimming.
Fab Africa also does Ankara printed Converse All Star-like sneakers.
To check them out or purchase from Fab Africa, go to fabafrica.co.uk.

SOURCE: FAB AFRICA

wide open walls in The Gambia

2011-07-16T21:25:00.003+10:00

The Wide Open Walls project was founded by Lawrence Williams, a keen artist who had been working with local artists on a project called Bushdwellers for a few of years and always wanted to expand the project into something bigger. The idea was to turn villages in the area of Ballabu Conservation Project into a living art project. Something which would last and function as a valid art installation whilst simultaneously promoting the tourist appeal of The Gambia.

This year Wide Open Walls collaborated with Write on Africa, the Cape Town based community art project. The main focus was to encourage and inspire urban rejuvenation through special events, initiatives and art in public space to “inspire ourselves to inspire others to inspire change”.

Art supplies were provided to children of various villages, and a dilapidated classroom was refurbished by Freddy Sam and community members, creating a colourful space for children to use as a crèche and a classroom. South African photographer, Jonx Pillemer and filmmaker Rowan Pybus were there to capture the two week long project, spending ample time with community members and the street artists reflecting on the interactions and friendships formed during the collaborative creative processes. A ten minute documentary of the project will be released in August.

I have always believed that art can change lift up the spirits of a community and bring them together in a unique way. This project is surely a great example of that. The photographs of the project, depict a a colourful and lively lease on the villages involved. It will be interesting to see the documentary and see the emotional and physical engagement of the communities and facilitators working on the project.

SOURCE: KILELE, WIDE OPEN WALLS & FACEBOOK

new African fashion

2011-07-15T17:00:00.000+10:00

I read one line about a yet to be released book titled New African Fashion on Africa Style Daily, and went straight to bookdepositry.com to pre-order.

Author Helen Jennings writes, Ever since the late 1960s when Yves Saint Laurent and Paco Rabanne presented African-inspired collections, the textiles, details, and colors of Africa have moved into the realm of high fashion. In the past few years, young designers from the continent itself have emerged as people to watch in the fashion world.

Helen Jennings, editor of award-winning ARISE magazine, offers in this book a brief history of African fashion, beauty and style, follows its influence on modern designers, and spotlights the best designers, photographers, and models from across the continent and the African diaspora. Profiling popular lines such as Duro Olowu, Jewel by Lisa, Black Coffee, and Eric Raisina, Jennings explores the myriad reasons why African fashion is having its moment in the sun. She shows how designers are looking beyond cliches of the African aesthetic by embracing both traditional and contemporary fabrics and garments, and how the passion for ethically and environmentally conscious clothing is fueling this trend. As colorful and exciting as the fashions it features, this volume will appeal to anyone interested in following the world's most exciting new fashion development. (BOOK DESPOSITRY)

The book is set to be released in September 2011.

ivy-league on safari

2011-07-14T15:00:00.012+10:00

Woolrich Woolen Mills goes on safari in Africa with the preppy ivy-league boys for their 2012 Spring collection. With slim cuts, Ankara printed scarves, rolled-up khakis, Ankara button downs and fitted blazers all in the mix, Woolrich Woolen Mills presents a very suave and sophisticated collection too neat for a real life safari!

SOURCE: THE AKUVI PROJECT & SLAMXHYPE

spence

2011-07-13T12:00:00.003+10:00

Beautiful minimal pieces at the click of one button can be shipped to your place.

From South Africa based fashion retailer SPENCE!

SOURCE: SHOP LIQUORICE & SPENCE

go back to where you came from!

2011-07-12T14:00:00.004+10:00

Watching the promo of Go Back to Where you came from had me at the edge of my seat, especially when I heard 'I don't like Africans' (I can't seem to find the promo which has that line, but if you watch the first episode you will hear it loud and clear). The first episode of the documentary aired on late June, and for three nights I watched either with my in fits of laughter, frustration, anger and heartbreak!

Go Back to Where you came from is a 3-part documentary featuring six ordinary Australians who agree to challenge their preconceived notions about refugees and asylum seekers by embarking on a confronting 25-day journey. Tracing in reverse the journeys that refugees have taken to reach Australia, they travel to some of the most dangerous and desperate corners of the world, with no idea what is in store for them along the way. Deprived of their wallets, phones and passports, they board a leaky refugee boat, are rescued mid-ocean, experience immigration raids in Malaysia, live in a Kenyan refugee camp and visit slums in Jordan before ultimately making it to the Democratic Republic of Congo and Iraq, protected by UN Peacekeepers and the US military.

All but one of the six Australians were initially quite ignorant and unforgiving towards to whole refugee issue. I must admit, when I started watching the series, there were a few in the group I wanted to give a piece of my mind to!!!
As I kept watching, It was interesting seeing how some perceptions changed and some didn't.

This documentary gives a little insight into the whole refugee issue in Australia and around. It's alot bigger than this documentary, but it at least opens us up to what is going on - why people risk their lives sometimes with children and get on a boat in the hopes of reaching a safe haven? Or why people need to seek asylum in the first place? Their stories and what they go through.

To read more or watch the episodes, go to SBS.com.

snowblack

2011-07-11T13:00:00.000+10:00

ZIMBABWEAN BORN NATASHA NDLOVU / GREW UP IN IN SOUTH AFRICA / NOW BASED IN LONDON / IS A MODEL / PHOTOGRAPHER / BLOGGER (SNOW BLACK BLOG) / HER STYLE IS CHIC, CUTE AND BOYISH / SHE USES A SELF-TIMER TO TAKE HER PHOTOS.

She's like an African Cindy Sherman. Using herself as the subject of her work.

SOURCE: SNOW BLACK BLOG

soccer lost boys

2011-07-10T11:00:00.082+10:00

Vanguard correspondent Mariana van Zeller investigates into the stories of the Soccer Lost Boys. Moving from Morocco to Ghana to Paris, the Soccer Lost Boys are talented African teenagers who could have been the next Drogba or Essien, but instead were duped by unscrupulous agents, charging them high fees to move abroad and dumped when the boys were not signed by teams.

I have heard stories like the ones featured Soccer Lost Boys, but I didn't realise the magnitude of the whole situation. It's very heartbreaking seeing hopes and dreams being snatched away whilst others cash in on the misfortunes of the situation.

SOURCE: THIS IS AFRICA

indigi designs

2011-07-09T09:00:00.001+10:00

South African Furniture designer NATALIE DU TOIT of INDIGI DESIGNS has stripped South African interior style down to the purest of forms with a beautiful collection of pieces encompassing a fusion of contemporary design, local references and skilled craftsmanship. All products are designed and handmade in South Africa with a great attention to quality and a respect for natural materials.

Wire baskets, lampshades lined with traditional South African shweshwe fabric as well as pillowcases, and unvarnished smooth timber finishes make a minimal yet soulful collection.

SOURCE: ARATUNTUN, COOL HUNTING, INDIGI DESIGNS FACEBOOK & HOME BUILD LIFE

dual heritage

2011-07-08T10:32:00.035+10:00

For her 2011 graduate collection Kezia Frederick from Central Saint Martins, explored the concept of "dual heritage". Frederick who is of St. Lucian and English heritage took lots of photographs of what people wore around London and the way some dressed to reflect a dual heritage. She then directed her research on Nigerian women at church, with their traditional dresses juxtaposed with the "long black British coat". She describes this as "beautifully captured the multicultural society in which we live in.”

From this, Kezia designed an exuberant, wearable, culturally-integrated six-piece collection.

It is a memorable exploration into the evolution of personal style, as influenced by the juxtaposition of former and present cultural/social stimuli.

- MARIAN KIHOGO

I have often observed this concept of 'dual heritage' Kezia describes. I just thought it was the 'wrong combination' of Western and African attire! The thermal leggings, skivvies and jackets worn with traditional outfits. However Kezia Frederick has opened my eyes and made me realise that it's more than a bad combination. It's 'climatic-cultural integration'! And her interpretation is FABULOUS!

SOURCE: MARIAN KIHOGO, BETTER LATE THAN NEVER & KEZIA FREDERICK

next door neighbours: Sudanese

2011-07-06T22:17:00.002+10:00

Nashville Public Television’s Next Door Neighbors series explores Nashville’s Sudanese community. Refugee resettlement to the United States is often the last option displaced people have for a permanent home. The opportunity is available to less than one percent of the world’s refugees. Once in the U.S, in cities like Nashville, refugees are expected to build new lives. But what if a chance to go back to their homeland finally arrives? Which home will they choose? Next Door Neighbors Sudanese explores what happens for refugees when there is a chance to return home.

I loved seeing the way Sudanese communities have integrated with the American system, getting education jobs, values etc and building a new life for themselves, yet still holding onto their cultural values.

My parents moved to Australia many years ago from Ghana. They both spoke English and had already settled in another country (Nigeria) prior to moving to Australia. Difficulties such as people not understanding them, them not understanding people, cultural differences and so forth was an enormous battle for them! So, I can't even comprehend what people from war-stricken countries have to go through before they immigrate to another country like the United States and rebuild their lives again.

I applaud them!

SOURCE: THIS IS AFRICA

Lagos stories

2011-07-05T16:34:00.003+10:00

Lagos Stories takes an in-depth look into one of the most fascinating and populated cities in the world as seen through the eyes of its own people. Funmi Iyanda takes viewers on an insiders' tour of the city -- from the exclusive salons to the urban ghetto of AJ City, she meets characters from all works of life revealing the resilience, resourcefulness and spirit of Lagosians. Enter Governor Fashola charged with the herculean task of organizing Lagos; Charly Boy, the cult hero spokesman for outcast bikers and the influential ghetto artists creating the musical styles and dances that spread over the entire continent.
- LAGOS STORIES

'Lagos Stories' gives great insight into the city of Lagos.
I think it would be a great project to be carried throughout all the capital cities of Africa. It would be a great learning tool. For people like me who have never been to any other African country apart from her own and also for people with misconceptions or little knowledge about certain cities/countries

SOURCE: THIS IS AFRICA & YOUTUBE

i see right through you

2011-07-04T20:32:00.002+10:00

The Cape Town womenswear founded by Elaine du Plessis and Michael Owen, is inspired by the juxtaposition of shapes and fabrics mixed blended with the modern and vintage. 'I see right through you' is the title of Christopher Strong's A/W 2011 collection. It goes back to the basics! Basic designs matched with a basic colour palette of black, white, grey and beige.

For the days you feel like being subtly daring with blue cut-out top or the ruched skirt (not feature), and the days you wanted to be safe with the fashion staples such as the LBD or white collared shirt.

This collection will have your back for every occasion!!! CHRISTOPHER STRONG sees right through you the woman and gives her what she needs!

SOURCE: SHOP LIQUORICE, CHRISTOPHER STRONG & CHRISTOPHER STRONG (BLOG)

things that occur when growing up African

2011-07-01T10:30:00.001+10:00

I was supposed to be figuring out how to design a website and instead I was enthralled in the videos of Christiana Rants! on her blog. I tried brainstorming my website design in my mind whilst watching about six of her insightful videos and then I realised that I needed to stop. I took one last skim at her blogs posts and found a post title 'Growing Up African' and within this post she has written and sub-post titled 'Things that occur when growing up African'. After reading the main title, I had a feeling that my childhood was about to be retold in this post. And surely it was!!! Christiana's words confirmed things which I never really acknowledged before. Here are some of the things Christiana has noted in the post with my commentary added.

That moment of shock when you discover everyone doesn't bath with a bucket and sponge. I thought the shower was a monster. And funnily enough my first experience of the shower wasn't in my own house. When I was about 6 years old My Mum's Fijian-Indian friend offered to babysit me overnight because my parents were working. My mum's friend's daughter who was about 16 or 18 at the time was getting ready to prepare the shower for me and I started to go into a frenzy. I was so scared of the shower! I pleaded for a bucket and sponge. It was quite a traumatizing episode. She eventually persuaded me into the shower. And from that day... I never looked back. Except when the water cuts out in Ghana. lol.
That day you discover that they don't serve Supermalt in pubs. In fact they don't serve it anywhere. Most people outside your milieu have never heard of Supermalt. This fact will puzzle you forever. My dad told me that NOBODY knows what malt is!!! My Mum and all the Ghanaian people I know love it because they didn't have coke when they were growing up! He didn't mean it that way, but he wanted me to understand that it was highly likely that if I mentioned Malt at school, no one would know the kind of drink I was referring to!!!
Finding out the woman you call grandma isn't your grandma. Neither is your aunty, your aunty. Or your cousin, your cousin. In fact 95% of the people you refer to with a term that suggests they're a blood relation are not. As a very inquisitive child, I always wanted to know the real connection I had with all the people I was and still am calling 'Aunty' and 'Uncle'. I was told that pretty much every African adult old enough to be my parent should be referred to as Aunty or Uncle. It was a sign of respect. At the time I didn't understand, but I did it anyway. When I went to Ghana for the first time at 16, this practice was thrown back in my face when I would call my respective relatives Aunty or Uncle and a stranger would often tell me I should refer to my Aunty as my Mother and Uncle as my Father. Frustrated and confused, I went to my Mum who assured me that I wasn't doing anything wrong. Made me realised that although I was born in Australia and was taught many of the traditional Ghanaian practices, we had created our own practices - a fusion of both cultures.
Going to parties and there's a high table for special guests. Ironically the table is often not that high. It's just an ordinary table covered with wrapping paper and draped with Christmas lights. At some parties there are more people on the high table than at the rest of the party.
Weddings usually begin 1-3 hours late. Or for that matter, every occasion means we are running on African Man Time!
That embarrassing moment when you go to the airport and despite obsessively using the scales at home, your mum has excess luggage. You stand at the check-in desk watching your parents try and negotiate a deal so they don’t pay for excess luggage. When that fails, they start to "spread the weight" across the suitcases. When that fails they eventually hand over the stuff they really didn't have to take to the relative who drove you to the airport. The first 3 hours of the flight back to Africa is spent with your mum lamenting over the luggage lost. In my case, my Mum being able to miraculously fit the excess into her hand luggage.
Being called downstairs to change the channel, even though the remote is NEXT to your mum. I live in a single story house and my Mum can even call me on her mobile to turn the light off or change the channel.
When the ends of your extensions have been burned and keep sticking to your school jumper. I had to forcibly retire quite a few items of clothing because of this issue. I was so excited the first time my extensions where put in hot water. From that day I knew that my clothes would be safe!
Going into the freezer, taking out a tub of ice cream, opening it and feeling devastated when you discover it's frozen stew. This still regularly happens to me.

Read the rest of the entry at CHRISTIANA RANTS!

African Chic

2011-06-30T08:00:00.010+10:00

You get the feel a nice relaxed feel of Africa in this simple and beautiful interior set up.

I love the contrast of patterns seen in each image based around earthy browns and blacks with complimenting hues.

PROJECT: AFRICAN CHIC

SOURCE: KATYA DE GRUNWALD via MANDARINE D'ITALIE

strangely romantic

2011-06-29T11:00:00.003+10:00

The face of the 2011 Autumn/Winter Louis Vuitton campaign, Nyasha Matonhodze has moved over to the dark side for the up and coming Fall Winter 11/12 issue of LOVE magazine. I must say its dark and enigmatic yet strangely, romantic and beautiful. I hope there will be a continuation spread in the magazine. It will be interesting to see how they carry the theme through.

CLENT: LOVE
ISSUE: Fall Winter 2011/12
MODEL: NYASHA MATONHODZE
PHOTOGRAPHER (s): MERT ALAS & MARCUS PIGGOTT

STYLIST: KATIE GRAND

SOURCE: THE AKUVI PROJECT

music art: Majesty

2011-06-28T21:34:00.001+10:00

The creative minds of La Moulade in the UK have worked their creative magic by creating an uber-cool visual package for Ghanaian rapper Majestyk Rula.

When I saw the website, I honestly thought that it was for a clothing label.

Majestyk left Ghana for the UK at the age of twelve. He mingled with other African kids who shared the same love for hip-hop. Majestyk dropped out university to pursue rapping full time.

"My goal is to make good songs that would be played by generation after generation and also be able to show my talent on the world stage and hopefully will be a success for others to follow".

- MAJESTYK RULA

SOURCE: AFRICAN DIGITAL ART & BEHANCE

African spaces

2011-06-27T22:22:00.000+10:00

Photographer Erik Sohlström takes a interesting look at Africa through it's spaces. It is a side of Africa I have never seen in photos. When I see images about the African desert, I think sand and camels, not roads or even road signs! The images remind me of the American deserts often depicted in Country & Western movies.

Exploring the space in the north African desert.

Exploring the space of the Moroccan desert

SOURCE: GOLD COAST TRADING

a life of fabrics & fashion

2011-06-26T15:21:00.001+10:00

A life of fabrics & fashion: he story behind fashion designer Liberian/Canadian Korto Momolu is an inspiring one!!! She is a woman who has stayed true to her culture and utilized her creative ability to get to that place. That place of constant creativity and success. I don't want to be a fashion designer, but I would love to be in that kind of creative zone one day. I don't doubt that I will get there, but when I read or watch an interview about someone who has made it to that place, and I can culturally relate to, it reassures me and the rest of us that we can get there too!

Watch the rest of the documentary at CNN.com

mark it on the wall

2011-06-24T23:55:00.004+10:00

"Shown here is a neat concept of a map of Africa. Listed are several of its countries, past and present, in the outline of the continent. Giant Africa Map with Countries - Vinyl Wall Decals - Mural - Your Choice of Color" (ETSY)

I thought this was a smart graphical concept to mark Africa on the wall. It would be a great tool for children to learn about the countries and independent states of a continent.

Then I realised something quite major!!!

Not all the countries and independent states of Africa are listed on this typographic map! I have always known that there are 53-54 independent states and countries in Africa depending who you are talking to or where you are reading this information from. So lets just say there are 53 countries in Africa or even 50, why are only 37 on this map. Mauritius, Nigeria and Sudan (just to mention a few) are not even on this map! And I can't get over the fact that there is blacked-out sections of the map. There is more space to add more countries, so why didn't they add them???

SOURCE: ETSY

for the love of Africa

2011-06-23T23:57:00.002+10:00

SOURCE: FOR THE LOVE OF AFRIKA!

the mirrior boy

2011-06-22T16:37:00.002+10:00

Released mid last year, The Mirror Boy is about London born 12 year old Tijani who's mother takes him back to his roots to The Gambia. It's the case of the naughty child taken back to Africa to learn some discipline and it's not a good afro-movie without some juju sprinkled into it.

I remember my Mum saying to me a few years ago that she was contemplating sending me to Ghana when I was about 5 or 6 years old for a few years to learn life the hard way. From her list of fears, juju was one of them. Still is today, when I tell her I am going to Ghana by myself!

Makes me want to watch this movie even more. I know it's the movie, but this movie is like my mother's fear translated into something I can view. It's quite unfortunate that Australia is so far and we miss out on watching or getting the films to us. I am determine to find this movie and watch it!

blackbird

2011-06-21T10:30:00.000+10:00

TITLE: BLACKBIRD

CLIENT: GHUBAR MAGAZINE

ISSUE: JUNE 2011

PHOTOGRAPHER: SARAH DIOUF

SOURCE: ARATUNTUN

Mara Hoffman 2011 Spring Swim Collection

2011-06-20T16:30:00.002+10:00

I like how Mara Hoffman has designed a follow through swim range from her 2011 Spring collection. Visible traces of the Ndebele visual language is carried throughout. Hoffman has maintained the graphical, geometrical and colourful patterns often applied on Ndebele housing, attire arts and crafts.

SOURCE: FASHIONOLOGIE

Mara Hoffman 2011 Spring Collection

2011-06-19T16:00:00.002+10:00

Graphic, exuberant and a bit of Africa streaming through.

SOURCE: MARA HOFFMAN

at home in Accra

2011-06-17T14:22:00.003+10:00

From the first day I ever stepped foot in Ghana, I have always wondered if it was possible to build environmentally and ergonomically friendly houses in Ghana rather than the standard concrete jungles which invade the country. I want to settle in Ghana one day, but I know that the idea of living in a concrete jungle with the air-condition or fan on 24/7 does not tickle my fancy. What about building a house allows the natural light to flow through the house or solar heating etc.

Then I came across the house of Ghanaian-born architect Joe Osae-Addo and I thought 'Wow' all the things I have been thinking about, have been answered by the design of this house.

Osae-Addo moved from Los Angeles back to Ghana and built a house inspired by colonial English bungalows and courtyard plans of rural Ghanaian houses. The house has no internal corridors allowing for free flow of light and air. The house was built from materials found primarily in rural areas of Ghana, like timber and adobe mud blocks. Designed without air conditioning, the house was conveniently raised three feet off the ground to take advantage of the cooling under floor breezes.

"We achieved the near impossible of taking a relatively unskilled labor force and inspiring them to think differently and be open to new possibilities.”

- JOE OSAE-ADDO

“The limitations of labor, availability of materials, environmental conditions, and being ready to adapt the original design".

- JOE OSAE-ADDO

I can just imagine what a headache it would have been to build this house. Trying to get your visual vision across. The labourers thinking that the house is impossible to build and then the locals stopping by to add insult to injury!

This house is a stepping stone to changing the way houses and buildings are built in Ghana. Osae-Addo takes into account the space of the land, the surroundings, climate and occupants to built not only a house for comfort but an architectural masterpiece!

The house ticks all the right boxes!

I know who I will be calling when I am ready to build a house in Ghana!

SOURCE: GHANA RISING & DWELL

robot artists

2011-06-16T13:00:00.001+10:00

Robot Artists is a short documentary by African Cartel showcasing a group of Zimbabwean artists who’s marketplace and livelihood is a traffic light intersection in Cape Town, South Africa.

To find out more about the artists and purchase their work, go to AFRICAN CARTEL.

MyWeku's 10 Most Influential African Fashion blogs & websites for 2011

2011-06-15T14:49:00.001+10:00

This year we bring you the 10 newest online power players in the African fashion industry. The African fashion blogosphere and websites are always expanding—and the latest talent to catch our computer screens have passion, style and a deep interest in celebrating African fashion.

- ADA IWUGO (MY WEKU FASHION & LIFESTYLE EDITOR)

This year, Afroklectic was fortunate to make the list amongst the blogs which I admire. I find it interesting and very flattering that I have been classified as a fashion blog on a few occassions. My friend brought it to my attention that I tend to write alot about fashion. It didn't even occur to me. It's not my intention. I guess it's where alot of my creative passion lies!!!

I am currently working towards re-branding Afroklectic and taking it back to it's roots!!!

But that's going to take some time. It's part of my final major for Uni.

I do think a few blogs like Africa Style Daily and Fashion Et Al should have made the cut this year.

But then again, there is always 2012!

Read more about the 10 most influential sites and why they were chosen at MY WEKU.

bejewelled

2011-06-14T10:00:00.000+10:00

This is just a snippet of something I was working on. It was for a Uni brief and then I came to the realization that I was working in the wrong direction. I turned my personal jewellery in a commercial collection by photographing it and compiling it into a booklet. I like the aesthetic which emerged from the work, so I am thinking of completing it in my spare time - which is highly unlikely!!!

heatwave

2011-06-13T11:00:00.007+10:00

Feeling the heat right now with Australasian based Sudanese model Tina J.

EDITORIAL: HEATWAVE

CLIENT: ELLE SINGAPORE JUNE 2011

MODEL: TINA J

PHOTOGRAPHER: JOEL LIM

SOURCE: OUT AND ABOUT AFRICA & FASHION GONE ROGUE

burberry 2012 resort: the (African) print story

2011-06-12T09:00:00.004+10:00

"This collection started with our iconic heritage as the foundation. We really wanted to emphasize this feeling of artisanal and decorative pieces that had been touched by hand, celebrating craftsmanship but always with this playful element."

- CHRISTOPHER BAILEY (CREATIVE DIRECTOR OF BURBERRY)

"Bailey’s taken Burberry to Africa—or, at least, hinted that he’s been looking in that general direction for textile inspiration as well as the rows of colored wooden beads that festoon some of the shoes like tribal necklaces".

- SARAH MOWER (VOGUE)

This Burberry 2012 collection features fabrics "reminiscent of the wax-print technique used in Ghana, also appears as the lining of a stone-colored classic trenchcoat".

- VOGUE

SOURCE: CIAAFRIQUE & STYLECASTER